“There is something visually arresting about these large, bright, brash works. They are conspicuously hip and readily marketable; his designs now appear on skateboards and Puma trainer shoelaces, both of which are for sale in the gift shop. But his work can lack context. His young Israeli subjects don’t appear to have any connection to or relationship with the ancient artefacts they are paired with. What are we to learn about these men we’re gazing at? The answer is far from clear.”